1 00:02:52,720 --> 00:02:54,679 Is everything OK, Rose? 2 00:02:54,680 --> 00:02:56,119 That was a really great take. 3 00:02:56,120 --> 00:02:57,800 It wasn't. l was late on the second movement. 4 00:02:58,401 --> 00:02:59,559 Right. 5 00:02:59,560 --> 00:03:00,880 Your manager's just arrived, so why 6 00:03:00,881 --> 00:03:02,241 don't we all take five, yeah? 7 00:03:09,041 --> 00:03:10,961 I thought you were in Berlin. 8 00:03:11,001 --> 00:03:11,761 I was. 9 00:03:15,641 --> 00:03:17,760 Rose, l have some... 10 00:03:17,761 --> 00:03:19,641 l have some bad news. 11 00:03:19,642 --> 00:03:23,000 I spoke with your notary on the phone. 12 00:03:23,001 --> 00:03:25,801 Your father is dead. 13 00:03:25,802 --> 00:03:26,802 I'm so sorry. 14 00:03:29,842 --> 00:03:32,641 Are you OK? 15 00:03:32,642 --> 00:03:34,762 M r. Gilford wasn't able to tell me anything more 16 00:03:34,763 --> 00:03:36,762 over the phone, but we're supposed to meet him 17 00:03:36,763 --> 00:03:38,803 tomorrow morning at his office. 18 00:03:40,163 --> 00:03:42,442 Sorry, to barge in. 19 00:03:42,443 --> 00:03:43,602 We should try moving on. 20 00:03:43,603 --> 00:03:44,883 We only have until 6:00. 21 00:03:47,083 --> 00:03:49,282 I don't have time for this right now. 22 00:03:49,283 --> 00:03:50,043 Let's go again. 23 00:03:54,523 --> 00:03:57,122 Can we deal with this tomorrow? 24 00:03:57,123 --> 00:03:59,644 1 0 AM? 25 00:04:02,883 --> 00:04:04,364 Jesus Christ. 26 00:04:11,485 --> 00:04:16,124 Above all, l wish to express my most sincere condolences. 27 00:04:16,125 --> 00:04:18,564 I also apologize for the way you were informed 28 00:04:18,565 --> 00:04:20,604 of your father's demise. 29 00:04:20,605 --> 00:04:23,445 Well, actually, l had no idea whether he was alive or dead. 30 00:04:23,485 --> 00:04:28,245 From the little l knew of him, l'm amazed he lived this long. 31 00:04:28,246 --> 00:04:30,325 We weren't exactly close. 32 00:04:30,365 --> 00:04:33,526 When was the last time you saw him? 33 00:04:33,566 --> 00:04:36,405 1 993. 34 00:04:36,406 --> 00:04:39,205 He left when l was 1 4 months. 35 00:04:39,206 --> 00:04:41,725 My French counterpart, Monsieur Zurah, 36 00:04:41,726 --> 00:04:43,926 informed me of his death. 37 00:04:43,966 --> 00:04:45,765 According to him, you are the one and only 38 00:04:45,766 --> 00:04:48,485 heiress of Richard Marlowe. 39 00:04:48,486 --> 00:04:50,766 Richard Marlowe, the composer? 40 00:04:53,087 --> 00:04:54,366 You're the daughter of Richard Marlowe? 41 00:04:54,367 --> 00:04:55,607 You never told me? 42 00:04:55,647 --> 00:04:56,567 I didn't tell you anything about my father. 43 00:04:56,607 --> 00:04:57,367 But l thought... 44 00:04:57,407 --> 00:05:00,006 Not now, Charles. 45 00:05:00,007 --> 00:05:01,966 There's no will. 46 00:05:01,967 --> 00:05:04,366 You inherit the copyrights of his entire body of work, 47 00:05:04,367 --> 00:05:07,766 his property in France, some minor bonds 48 00:05:07,767 --> 00:05:11,007 worth next to nothing , and... well, that's it. 49 00:05:11,008 --> 00:05:13,247 I'm afraid there's very little money. 50 00:05:13,248 --> 00:05:14,766 Let me get this straight. 51 00:05:14,767 --> 00:05:17,327 All of Marlowe's musical copyrights now belong to Rose? 52 00:05:17,328 --> 00:05:19,527 I ndeed. 53 00:05:19,528 --> 00:05:20,687 Are we done? 54 00:05:20,688 --> 00:05:22,128 Almost. 55 00:05:22,129 --> 00:05:23,808 But, before you go, l am obliged to give 56 00:05:23,809 --> 00:05:25,247 you these myself. 57 00:05:25,248 --> 00:05:30,287 I n there are the property title and some personal effects 58 00:05:30,288 --> 00:05:31,129 he wanted you to have. 59 00:05:35,809 --> 00:05:36,889 For the house. 60 00:05:39,769 --> 00:05:40,810 M iss Fisher? 61 00:05:44,650 --> 00:05:46,048 Can you deal with the rest? 62 00:05:46,049 --> 00:05:46,810 Of course. 63 00:06:01,690 --> 00:06:08,050 Forgive my curiosity, but was M r. Marlowe famous? 64 00:06:08,051 --> 00:06:10,570 Not famous so much as notorious... 65 00:06:10,571 --> 00:06:12,771 the kind of composer an up-and-coming 66 00:06:12,772 --> 00:06:14,811 conductor would cite in order to show off, 67 00:06:14,812 --> 00:06:17,691 show they were in the know. 68 00:06:17,692 --> 00:06:19,611 Back in the '80s, he composed a symphony that 69 00:06:19,612 --> 00:06:20,930 caught the critics off-guard. 70 00:06:20,931 --> 00:06:24,450 He became trendy, l suppose. 71 00:06:24,451 --> 00:06:28,171 Some hailed him as the leader of a new generation of composers... 72 00:06:28,172 --> 00:06:30,411 a savior of British classical music, 73 00:06:30,412 --> 00:06:35,412 which he might have become if he hadn't disappeared. 74 00:06:35,413 --> 00:06:37,732 Every medium has one... 75 00:06:37,733 --> 00:06:40,931 a would-be champion that burns out before they got started. 76 00:06:40,932 --> 00:06:42,972 Rock and roll had Syd Barrett. 77 00:06:43,013 --> 00:06:44,572 We have Richard Marlowe. 78 00:06:44,573 --> 00:06:46,492 The press thought there had been an accident, 79 00:06:46,493 --> 00:06:47,813 some form of foul play. 80 00:06:49,013 --> 00:06:50,852 Ends up he was just in France rotting 81 00:06:50,853 --> 00:06:52,173 in a country. 82 00:06:55,934 --> 00:06:58,414 There's something l should probably mention. 83 00:07:01,094 --> 00:07:04,293 I didn't dare say anything while M iss Fisher was here. 84 00:07:04,294 --> 00:07:05,893 If there is any legal impediment... 85 00:07:05,894 --> 00:07:06,893 No. 86 00:07:06,894 --> 00:07:08,734 No, not that. 87 00:07:08,735 --> 00:07:10,454 More a moral one. 88 00:07:13,334 --> 00:07:16,733 M r. Marlowe committed suicide in the most 89 00:07:16,734 --> 00:07:19,414 violent way imaginable. 90 00:07:19,415 --> 00:07:21,494 How? 91 00:07:21,495 --> 00:07:23,495 He set fire to himself in front of his house. 92 00:07:28,896 --> 00:07:30,815 I see. 93 00:07:30,816 --> 00:07:33,575 Thank you for not mentioning that in front of Rose. 94 00:07:33,576 --> 00:07:38,615 I know she doesn't seem it, but she's actually very emotional. 95 00:07:38,616 --> 00:07:42,216 Is there anyone who can be with her... family, a loved one? 96 00:07:42,217 --> 00:07:43,655 Rose's mother is dead, and she doesn't 97 00:07:43,656 --> 00:07:45,935 have time for loved ones. 98 00:07:45,936 --> 00:07:47,215 Doesn't have time? 99 00:07:47,216 --> 00:07:49,336 Her words. 100 00:07:49,337 --> 00:07:51,936 I'm the closest thing she has to family. 101 00:07:51,937 --> 00:07:54,257 I'll take care of it, make sure to tell her at the right time. 102 00:08:45,140 --> 00:08:45,899 What do you want? 103 00:08:45,900 --> 00:08:47,340 Can l come in? 104 00:09:01,861 --> 00:09:02,940 Well? 105 00:09:02,941 --> 00:09:04,100 Well. 106 00:09:04,101 --> 00:09:05,260 Well? 107 00:09:05,261 --> 00:09:06,661 Jesus Christ, Rose. 108 00:09:06,701 --> 00:09:07,940 I'm worried about you. 109 00:09:07,941 --> 00:09:09,100 Well, don't be. 110 00:09:09,101 --> 00:09:10,540 I've known you since you were 1 6, 111 00:09:10,541 --> 00:09:12,620 and l know perfectly well when you're not OK. 112 00:09:12,621 --> 00:09:15,300 Why didn't you tell me your father was Richard Marlowe? 113 00:09:15,301 --> 00:09:16,421 It wasn't relevant. 114 00:09:16,422 --> 00:09:17,382 Wasn't relevant? 115 00:09:17,383 --> 00:09:19,100 You're a classical violinist. 116 00:09:19,101 --> 00:09:20,180 He was one of the most gifted composers of living memory. 117 00:09:20,181 --> 00:09:21,181 You don't see the link there? 118 00:09:21,182 --> 00:09:22,342 I didn't want people to know. 119 00:09:22,381 --> 00:09:23,860 Christ, Rose, l'm not just your agent. 120 00:09:23,861 --> 00:09:25,061 You could have told me. 121 00:09:25,062 --> 00:09:25,822 No. 122 00:09:25,823 --> 00:09:27,301 Why? 123 00:09:27,302 --> 00:09:28,941 Because fuck him, that's why. 124 00:09:28,942 --> 00:09:30,302 He didn't give a shit about me and my mom. 125 00:09:30,303 --> 00:09:31,701 He left us. 126 00:09:31,702 --> 00:09:33,141 So l want to make it on my own without even 127 00:09:33,142 --> 00:09:35,421 a hint of trading in his name. 128 00:09:35,422 --> 00:09:36,941 Yes, he was a great composer. 129 00:09:36,942 --> 00:09:39,261 Well, so was Shostakovich. 130 00:09:39,262 --> 00:09:40,621 And that's the only context in which 131 00:09:40,622 --> 00:09:42,541 Marlowe has any meaning to me. 132 00:09:42,542 --> 00:09:44,422 I wouldn't have made you trade on his name. 133 00:09:44,423 --> 00:09:45,063 Wouldn't you? 134 00:09:45,064 --> 00:09:46,182 No. 135 00:09:46,183 --> 00:09:48,102 Listen, l didn't come here to fight. 136 00:09:48,103 --> 00:09:50,744 I want to be here for you, help you through this. 137 00:09:53,263 --> 00:09:54,823 Is that the estate in France? 138 00:09:54,824 --> 00:09:55,784 Yes. 139 00:09:55,785 --> 00:09:56,942 I'm heading over tomorrow. 140 00:09:56,943 --> 00:09:59,103 Good, but how? 141 00:09:59,104 --> 00:10:01,543 I'll probably take a plane and then a taxi. 142 00:10:01,544 --> 00:10:02,743 You know what l mean. 143 00:10:02,744 --> 00:10:04,263 You're haltway through your recording. 144 00:10:04,264 --> 00:10:05,583 The studio costs a fortune. 145 00:10:05,584 --> 00:10:07,263 The label is expecting six pieces, not to mention 146 00:10:07,264 --> 00:10:08,343 your other commitments. 147 00:10:08,344 --> 00:10:09,224 Well, it's going to have to wait. 148 00:10:09,224 --> 00:10:09,945 Wait? 149 00:10:09,946 --> 00:10:11,024 Yes. 150 00:10:11,025 --> 00:10:12,024 I'm heading over tomorrow, Charles, 151 00:10:12,025 --> 00:10:13,024 and that's all there is to it. 152 00:10:13,025 --> 00:10:15,264 It's not just your decision. 153 00:10:15,265 --> 00:10:17,223 So your sympathy extends as far as it affects 154 00:10:17,224 --> 00:10:18,664 the next concert, is that it? 155 00:10:18,665 --> 00:10:19,625 Yes. 156 00:10:19,626 --> 00:10:20,744 I'm your agent, remember? 157 00:10:20,745 --> 00:10:22,784 Yeah, well, about that. 158 00:10:22,785 --> 00:10:24,584 What? 159 00:10:24,585 --> 00:10:28,465 I've been meaning to tell you for a while, actually. 160 00:10:28,466 --> 00:10:30,786 I was contacted by DM l in New York, and they want to sign me. 161 00:10:35,266 --> 00:10:37,944 Since when? 162 00:10:37,945 --> 00:10:38,826 It's been a few months. 163 00:10:48,467 --> 00:10:51,545 Rose, you're a wonderful musician, but it's too soon. 164 00:10:51,546 --> 00:10:53,266 What do you mean too soon? 165 00:10:53,267 --> 00:10:55,386 Look, l had a lot of clients like you... young, talented, 166 00:10:55,387 --> 00:10:56,666 with potential for greatness. 167 00:10:56,667 --> 00:10:58,226 They go to bigger agencies which cares only 168 00:10:58,227 --> 00:10:59,946 about money and fame, and end up swamped 169 00:10:59,947 --> 00:11:00,986 by all the other musicians. 170 00:11:00,987 --> 00:11:02,666 No, you haven't. 171 00:11:02,667 --> 00:11:04,746 You've had clients that are good and clients that are OK, 172 00:11:04,747 --> 00:11:06,587 and the good ones leave and the passable are dropped. 173 00:11:06,588 --> 00:11:07,947 But you've never, ever had a client like me, 174 00:11:07,948 --> 00:11:09,267 and you know it. 175 00:11:09,268 --> 00:11:10,586 And every time l bring this up, it's always too soon, 176 00:11:10,587 --> 00:11:12,347 or let's wait, or be patient. 177 00:11:12,348 --> 00:11:13,667 But m out of patience, Charles. 178 00:11:13,668 --> 00:11:16,547 I've waited so long that... 179 00:11:16,548 --> 00:11:17,748 You think l'm holding you back. 180 00:11:20,268 --> 00:11:22,628 I'm afraid that you're never going to let me go. 181 00:11:22,629 --> 00:11:24,548 You've taken me as far as you can, 182 00:11:24,549 --> 00:11:26,029 and now you need to let me go. 183 00:11:27,188 --> 00:11:28,707 J ust 'cause you screwed up your career 184 00:11:28,708 --> 00:11:30,628 as a musician doesn't mean l need to screw up mine. 185 00:11:42,510 --> 00:11:43,470 Charles... 186 00:11:43,471 --> 00:11:44,589 Rose, do whatever you want. 187 00:11:44,590 --> 00:11:45,669 I don't give a shit anymore. 188 00:11:45,670 --> 00:11:47,348 But keep one thing in mind. 189 00:11:47,349 --> 00:11:49,469 You're good, but you're not that good. 190 00:11:49,470 --> 00:11:54,310 And talent is not the only thing that matters. 191 00:13:33,916 --> 00:13:34,876 Thank you. 192 00:18:23,452 --> 00:18:24,331 With, fire. 193 00:22:24,465 --> 00:22:25,465 Et voila. 194 00:22:41,907 --> 00:22:43,705 Hello, Rose. 195 00:22:43,706 --> 00:22:44,705 Hey. 196 00:22:44,706 --> 00:22:46,105 H i. 197 00:22:46,106 --> 00:22:49,026 Are you OK? 198 00:22:49,027 --> 00:22:51,506 I'm fine. 199 00:22:51,507 --> 00:22:53,426 Are you in France? 200 00:22:53,427 --> 00:22:57,106 Yes, l'm at Marlowe's house. 201 00:22:57,107 --> 00:23:02,186 Look, l... l wanted to apologize for the other night. 202 00:23:02,187 --> 00:23:03,746 You know, it was... 203 00:23:03,747 --> 00:23:04,906 l didn't mean to say what l said. 204 00:23:04,907 --> 00:23:05,986 It was wrong of me to... 205 00:23:05,987 --> 00:23:07,268 to say it. 206 00:23:07,948 --> 00:23:09,467 It's OK. 207 00:23:09,468 --> 00:23:12,667 Look, l just want the best for you, that's all. 208 00:23:12,668 --> 00:23:14,387 Now, if you feel l'm holding you back... 209 00:23:14,388 --> 00:23:15,667 No, l am... 210 00:23:15,668 --> 00:23:19,547 l'm frustrated, but l didn't mean to lash out. 211 00:23:19,548 --> 00:23:21,187 I think l just need some time alone. 212 00:23:21,188 --> 00:23:22,947 I understand. 213 00:23:22,948 --> 00:23:26,787 So this house, what's it like? 214 00:23:26,788 --> 00:23:30,067 Old, creepy, isolated. 215 00:23:30,068 --> 00:23:31,028 I like it. 216 00:23:31,029 --> 00:23:32,029 It reminds me of you. 217 00:23:32,948 --> 00:23:34,069 Lovely. 218 00:23:34,109 --> 00:23:35,508 How are you holding up? 219 00:23:35,509 --> 00:23:37,508 Did you learn anything about your father? 220 00:23:37,509 --> 00:23:40,628 Well, that's actually what l wanted to tell you about. 221 00:23:40,629 --> 00:23:43,388 I think that he was working on something before he died... 222 00:23:43,389 --> 00:23:44,669 a sonata. 223 00:23:44,670 --> 00:23:45,589 Sonata? 224 00:23:45,590 --> 00:23:48,949 You mean a finished one? 225 00:23:48,950 --> 00:23:50,309 I think so. 226 00:23:50,310 --> 00:23:51,869 But it's really weird because some of the staves, 227 00:23:51,870 --> 00:23:55,150 they begin with symbols that l've never seen before. 228 00:23:55,151 --> 00:23:56,790 What kind of symbols? 229 00:23:56,791 --> 00:23:58,669 I can't describe them. 230 00:23:58,670 --> 00:24:00,029 Perhaps if l send you some pictures... 231 00:24:00,030 --> 00:24:01,909 do you think you'd have time to have a look at them? 232 00:24:01,910 --> 00:24:03,549 Of course. 233 00:24:03,550 --> 00:24:06,390 Rose, you do know if this is your father's final work, 234 00:24:06,391 --> 00:24:09,390 it could be a huge sensation. 235 00:24:09,391 --> 00:24:12,390 Yes, well, that much had occurred to me. 236 00:24:12,391 --> 00:24:15,871 And if this score was more important to him than l was, 237 00:24:15,872 --> 00:24:17,391 l'd like to know why. 238 00:24:19,712 --> 00:24:21,510 I've got to go. 239 00:24:21,511 --> 00:24:23,590 I'll send you the pictures as soon as l can. 240 00:24:23,591 --> 00:24:24,312 Sure thing. 241 00:24:24,352 --> 00:24:25,071 Keep me posted. 242 00:24:25,071 --> 00:24:25,792 Will do. 243 00:24:25,793 --> 00:24:26,951 Bye. 244 00:24:26,952 --> 00:24:28,311 And... and there's one last thing. 245 00:24:28,312 --> 00:24:30,071 Yes? 246 00:24:30,072 --> 00:24:31,632 You wouldn't happen to know how he died? 247 00:24:31,633 --> 00:24:32,952 Your father? 248 00:24:32,993 --> 00:24:34,151 No. 249 00:24:34,152 --> 00:24:35,911 No. 250 00:24:35,912 --> 00:24:37,952 Did you find anything? 251 00:24:37,953 --> 00:24:39,192 No. 252 00:24:39,193 --> 00:24:39,993 OK. 253 00:24:39,993 --> 00:24:40,833 Talk soon. 254 00:25:32,076 --> 00:25:34,155 M r. Marlowe, good evening, and thank you 255 00:25:34,156 --> 00:25:36,435 for granting us this interview. 256 00:25:36,436 --> 00:25:39,835 We are aware it is not really in your habit to do so. 257 00:25:39,836 --> 00:25:41,596 Over the course of the last three or four years, 258 00:25:41,636 --> 00:25:44,715 you have gone from being an obscure, shall we say, composer 259 00:25:44,716 --> 00:25:48,475 to being the face of a brave new era of classical composers. 260 00:25:48,476 --> 00:25:51,156 And yet an equal number of detractors 261 00:25:51,157 --> 00:25:54,115 find your music too old-fashioned. 262 00:25:54,116 --> 00:25:56,476 You know, the concept of old-fashioned 263 00:25:56,477 --> 00:25:58,516 means very little to me. 264 00:25:58,517 --> 00:26:02,276 I don't judge a piece of art by its period. 265 00:26:02,277 --> 00:26:06,317 If Mozart were alive, he would meet the same silly criticism. 266 00:26:07,798 --> 00:26:11,557 I don't write music to please anyone. 267 00:26:11,558 --> 00:26:13,917 It's not entertainment. 268 00:26:13,918 --> 00:26:16,957 It floats around, whispering inside me. 269 00:26:16,958 --> 00:26:18,757 I heard it from the day l was born, 270 00:26:18,758 --> 00:26:22,797 and it will be there long after l die. 271 00:26:22,798 --> 00:26:28,277 It holds the key to the human heart. 272 00:26:28,278 --> 00:26:32,118 Its real voice has no written words, 273 00:26:32,119 --> 00:26:37,918 and it reveals darkness, sadness, joy, longing. 274 00:26:37,919 --> 00:26:40,719 It's magic. 275 00:26:40,720 --> 00:26:41,878 By the sound of things, 276 00:26:41,879 --> 00:26:45,639 you seem to be entrusted with a mission. 277 00:26:45,640 --> 00:26:51,679 I just follow the voice that l hear. 278 00:26:51,680 --> 00:26:53,480 God? 279 00:26:53,481 --> 00:26:54,320 Something like that. 280 00:26:57,000 --> 00:26:58,359 What of your future work? 281 00:26:58,360 --> 00:27:01,319 Can you tell us a little bit about it? 282 00:27:01,320 --> 00:27:03,399 I started years ago. 283 00:27:03,400 --> 00:27:05,960 It's still not finished. 284 00:27:05,961 --> 00:27:08,640 But it will be one day. 285 00:27:08,641 --> 00:27:12,560 And do you think it will affect people? 286 00:27:12,561 --> 00:27:18,442 It will touch someone, l think. 287 00:29:07,807 --> 00:29:08,568 Hello? 288 00:29:55,210 --> 00:29:56,130 Who's there? 289 00:30:49,613 --> 00:30:50,894 Bloody French. 290 00:32:17,938 --> 00:32:18,818 Charles? 291 00:32:18,819 --> 00:32:20,297 James. 292 00:32:20,298 --> 00:32:22,777 Thank you so much for coming. 293 00:32:22,778 --> 00:32:24,738 What wouldn't l do for my former agent. 294 00:32:24,739 --> 00:32:26,338 Yeah. 295 00:32:26,339 --> 00:32:27,578 I know you're performing a concert tomorrow evening, 296 00:32:27,579 --> 00:32:30,618 but l'm in desperate need of your expertise. 297 00:32:30,619 --> 00:32:32,378 I'll have a pint of lager, please. 298 00:32:32,379 --> 00:32:33,139 Same again. 299 00:32:36,339 --> 00:32:37,500 Since when do you drink water? 300 00:32:38,299 --> 00:32:40,099 I'm on the wagon... 301 00:32:40,100 --> 00:32:41,698 for good, this time. 302 00:32:41,699 --> 00:32:43,578 These damn things make me fall asleep half the time, 303 00:32:43,579 --> 00:32:45,139 but they really help. 304 00:32:45,140 --> 00:32:46,220 Well, l'm glad to hear that. 305 00:32:48,860 --> 00:32:51,699 So, tell me about this piece of music 306 00:32:51,700 --> 00:32:52,819 that you want me to have a look at. 307 00:32:52,820 --> 00:32:53,580 Yeah. 308 00:32:58,341 --> 00:32:59,581 What can you tell me about this? 309 00:33:05,220 --> 00:33:09,140 Well, it would appear to be a violin sonata. 310 00:33:09,141 --> 00:33:14,420 And it's composed on the basis of a fairly regular structure, 311 00:33:14,421 --> 00:33:15,381 but it's quite uneven. 312 00:33:18,661 --> 00:33:21,261 I mean, the quality it... 313 00:33:21,262 --> 00:33:24,621 it changes drastically depending on the passage. 314 00:33:24,622 --> 00:33:26,861 It's fairly coherent. 315 00:33:26,862 --> 00:33:30,701 But the first, the third, and the fifth movement here... 316 00:33:30,702 --> 00:33:32,541 they are magnificent, they are. 317 00:33:32,542 --> 00:33:35,622 They're truly magnificent, in fact. 318 00:33:35,623 --> 00:33:36,982 Who wrote this? 319 00:33:36,983 --> 00:33:38,502 I'm not at liberty to say. 320 00:33:38,503 --> 00:33:39,862 Charles, you tease. 321 00:33:39,863 --> 00:33:40,783 Come on. 322 00:33:40,783 --> 00:33:41,503 I must know. 323 00:33:41,503 --> 00:33:42,383 Sorry, James. 324 00:33:42,384 --> 00:33:44,262 I have to keep schtum. 325 00:33:44,263 --> 00:33:45,702 But l will say this. 326 00:33:45,703 --> 00:33:49,302 It's going to be huge when it goes official. 327 00:33:49,303 --> 00:33:52,022 About bloody time, Charlie. 328 00:33:52,023 --> 00:33:54,342 The elusive big break, eh? 329 00:33:54,343 --> 00:33:56,822 It's better late than never. 330 00:33:56,823 --> 00:33:58,663 Yeah. 331 00:33:58,664 --> 00:34:00,983 Right now, l need you to help me decipher these symbols. 332 00:34:00,984 --> 00:34:04,503 Do they mean anything to you? 333 00:34:04,504 --> 00:34:07,503 I n all honesty, l have never seen anything like it 334 00:34:07,504 --> 00:34:09,343 before in my life. 335 00:34:09,344 --> 00:34:12,623 I mean, perhaps there's some kind of a key beginning 336 00:34:12,624 --> 00:34:14,263 of each stave... 337 00:34:14,264 --> 00:34:17,344 you know, like a way they code the score or something? 338 00:34:17,345 --> 00:34:18,984 That would certainly explain the poor quality 339 00:34:18,985 --> 00:34:21,184 of certain passages. 340 00:34:21,185 --> 00:34:24,864 It's almost as if the composer has done this on purpose 341 00:34:24,865 --> 00:34:28,265 so that nobody would be able to decipher the score. 342 00:34:31,586 --> 00:34:33,385 Charles, no one understands more than me the need 343 00:34:33,386 --> 00:34:35,185 for secrecy in this business, but if you don't tell me 344 00:34:35,186 --> 00:34:37,586 who wrote this, it's going to be really hard for me to help you. 345 00:34:43,186 --> 00:34:44,945 OK, James. 346 00:34:44,946 --> 00:34:51,265 But l need your word you won't tell anyone. 347 00:34:51,266 --> 00:34:54,545 Absolutely. 348 00:34:54,546 --> 00:34:58,426 It's Richard Marlowe's last work. 349 00:34:58,427 --> 00:35:01,107 The Richard Marlowe? 350 00:35:01,108 --> 00:35:03,746 The crazy, eccentric savior of classical music 351 00:35:03,747 --> 00:35:05,747 who disappeared to listen to the voices in his head? 352 00:35:05,748 --> 00:35:06,747 The very same. 353 00:35:06,748 --> 00:35:08,627 I thought he died years ago. 354 00:35:08,628 --> 00:35:11,548 No, last week. 355 00:35:11,588 --> 00:35:15,308 Well, that would explain it. 356 00:35:20,068 --> 00:35:21,668 Thank you. 357 00:35:21,669 --> 00:35:25,388 Look, you have my word l won't tell anybody, OK? 358 00:35:25,389 --> 00:35:26,989 Do you know anyone who can help me out? 359 00:35:29,349 --> 00:35:31,708 I can think of one person. 360 00:35:31,709 --> 00:35:32,908 Yeah. 361 00:35:32,909 --> 00:35:34,869 He worked with Richard Marlowe for years. 362 00:35:34,870 --> 00:35:36,588 Truth be told, he was the only one that Marlowe ever 363 00:35:36,589 --> 00:35:38,909 really tolerated being around. 364 00:35:38,950 --> 00:35:41,228 If he can't help you, no one can. 365 00:35:41,229 --> 00:35:43,268 But he won't really appreciate me giving out his number 366 00:35:43,269 --> 00:35:44,469 to a complete stranger. 367 00:35:44,470 --> 00:35:45,189 Come on, James. 368 00:35:45,190 --> 00:35:47,549 You owe me this. 369 00:35:47,550 --> 00:35:48,350 Please? 370 00:35:51,950 --> 00:35:53,309 OK. 371 00:35:53,310 --> 00:35:55,030 I'll have to call ahead and let him know that you're 372 00:35:55,031 --> 00:35:57,229 going to be in touch. 373 00:35:57,230 --> 00:35:59,430 He doesn't really like new people. 374 00:37:00,154 --> 00:37:01,313 Charles Vernais. 375 00:37:01,314 --> 00:37:03,273 I have an appointment with Sir Victor. 376 00:37:03,274 --> 00:37:05,394 Follow me, please. 377 00:37:05,395 --> 00:37:06,194 Thank you. 378 00:37:09,994 --> 00:37:10,794 Monsieur Vernais. 379 00:37:13,835 --> 00:37:14,914 Pleasure to meet you. 380 00:37:14,955 --> 00:37:15,954 Pleasure's all mine, Sir Victor. 381 00:37:15,955 --> 00:37:18,554 And thank you for your time. 382 00:37:18,555 --> 00:37:21,154 Please, sit down. 383 00:37:21,155 --> 00:37:25,194 Meredith, if you'd be so kind as to bring us some tea, please. 384 00:37:25,195 --> 00:37:26,274 Right away, sir. 385 00:37:26,275 --> 00:37:27,434 And, Meredith? 386 00:37:27,435 --> 00:37:28,996 Yes, Sir Victor? 387 00:37:29,035 --> 00:37:30,915 Preferably not the disgusting concoction my daughter 388 00:37:30,916 --> 00:37:32,556 gave me, if you'd be so kind. 389 00:37:35,916 --> 00:37:36,995 She's new. 390 00:37:36,996 --> 00:37:39,435 I see. 391 00:37:39,436 --> 00:37:41,595 Are you writing a new book? 392 00:37:41,596 --> 00:37:43,396 I ndeed. 393 00:37:43,397 --> 00:37:48,316 The third and final volume of the history of baroque music. 394 00:37:48,317 --> 00:37:51,795 I must confess that your visit offers me an unexpected 395 00:37:51,796 --> 00:37:53,796 and quite welcome break. 396 00:37:53,797 --> 00:37:58,196 So, Monsieur Vernais, what can an old man 397 00:37:58,197 --> 00:38:00,397 like myself do for you? 398 00:38:00,398 --> 00:38:02,318 I came to ask you some questions about... 399 00:38:07,358 --> 00:38:09,636 about this. 400 00:38:09,637 --> 00:38:13,477 It was composed by Richard Marlowe. 401 00:38:13,478 --> 00:38:14,238 I see. 402 00:38:21,158 --> 00:38:23,077 The sonata. 403 00:38:23,078 --> 00:38:25,837 I'm sorry? 404 00:38:25,838 --> 00:38:27,997 I never thought he'd finish it. 405 00:38:27,998 --> 00:38:28,799 You've heard of this? 406 00:38:31,439 --> 00:38:33,599 He used to speak of it as his life's work. 407 00:38:37,840 --> 00:38:42,118 Now, let's see. 408 00:38:42,119 --> 00:38:45,720 It should go something like... 409 00:39:01,521 --> 00:39:04,759 lt's delightful. 410 00:39:04,760 --> 00:39:08,840 M ight l be so bold as to ask how you acquired this work? 411 00:39:08,841 --> 00:39:11,560 I... it's confidential. 412 00:39:11,561 --> 00:39:12,760 There are other parties. 413 00:39:12,761 --> 00:39:13,642 I see, l see. 414 00:39:16,242 --> 00:39:18,281 Well, go on. 415 00:39:18,282 --> 00:39:20,641 The problem is that the music is so erratic, 416 00:39:20,642 --> 00:39:22,962 and then there are these strange symbols. 417 00:39:37,363 --> 00:39:38,843 Do these look familiar? 418 00:39:42,163 --> 00:39:45,642 They are the same. 419 00:39:45,643 --> 00:39:50,963 These symbols were created by a French secret society 420 00:39:50,964 --> 00:39:52,443 back in the 1 9th century. 421 00:39:52,444 --> 00:39:56,322 Now, each symbol represents one of four different aspects 422 00:39:56,323 --> 00:40:00,603 of a code, which, when joined together, 423 00:40:00,604 --> 00:40:05,763 create the symbol of the Famulus Order. 424 00:40:05,764 --> 00:40:07,404 Meredith? 425 00:40:07,405 --> 00:40:08,803 Does one have to be Her Majesty the Queen 426 00:40:08,804 --> 00:40:10,643 to get a simple cup of tea? 427 00:40:10,644 --> 00:40:13,324 It's coming, sir. 428 00:40:13,325 --> 00:40:15,963 I'm trying to work out whether she is mentally retarded 429 00:40:15,964 --> 00:40:19,124 or just maliciously slow. 430 00:40:19,125 --> 00:40:24,604 The members of the Famulus Order were, perverted successors 431 00:40:24,605 --> 00:40:27,044 of the Romantic Movement... 432 00:40:27,045 --> 00:40:28,884 noblemen, artists. 433 00:40:28,885 --> 00:40:32,485 What... what does it have to do with music? 434 00:40:32,486 --> 00:40:36,045 They were convinced that music has the capacity of unlocking 435 00:40:36,046 --> 00:40:37,965 portals between worlds. 436 00:40:37,966 --> 00:40:39,525 I'm sorry, portals? 437 00:40:39,526 --> 00:40:43,245 Doors, openings, gaps in the fabric of the cosmos. 438 00:40:43,246 --> 00:40:44,846 I understand, sir, l understand. 439 00:40:44,847 --> 00:40:48,526 It's just that... so... so this order, 440 00:40:48,527 --> 00:40:51,406 they believed that music had a kind of magic? 441 00:40:51,407 --> 00:40:52,966 Absolutely. 442 00:40:52,967 --> 00:40:57,646 Not metaphorically, or as part of some illusion or trick. 443 00:40:57,647 --> 00:41:00,926 They believed that music had real, tangible power. 444 00:41:00,927 --> 00:41:02,526 W... what kind of power? 445 00:41:02,527 --> 00:41:08,727 Well, they believed that if the notes were properly aligned 446 00:41:08,728 --> 00:41:13,006 and played with exactly the right pitch, 447 00:41:13,007 --> 00:41:15,408 they could conjure and seduce the Antichrist. 448 00:41:17,768 --> 00:41:20,047 By playing music? 449 00:41:20,048 --> 00:41:21,329 More or less. 450 00:41:21,368 --> 00:41:24,167 Their theory was based on one simple belief... 451 00:41:24,168 --> 00:41:27,888 one does not address the devil with words. 452 00:41:27,889 --> 00:41:32,248 Only music would allow mortals to communicate with him 453 00:41:32,249 --> 00:41:34,728 and understand his divinity. 454 00:41:34,729 --> 00:41:35,609 The Antichrist, sir? 455 00:41:39,609 --> 00:41:43,129 This is no joke, Monsieur Vernais. 456 00:41:43,130 --> 00:41:47,009 These symbols, do you think they can be deciphered? 457 00:41:47,010 --> 00:41:48,609 Of course. 458 00:41:48,610 --> 00:41:52,249 Marlowe was fascinated by the order. 459 00:41:52,250 --> 00:41:54,131 He probably found the inspiration 460 00:41:54,170 --> 00:41:56,249 in it to code his own work. 461 00:41:56,250 --> 00:41:58,049 You seem to have known him quite well. 462 00:41:58,050 --> 00:41:59,610 Were the two of you close? 463 00:41:59,611 --> 00:42:00,571 Close? 464 00:42:00,572 --> 00:42:01,969 To Marlowe? 465 00:42:01,970 --> 00:42:03,769 You must be joking. 466 00:42:03,770 --> 00:42:05,490 That man was the very incarnation 467 00:42:05,491 --> 00:42:08,530 of pride, ruthless and cruel. 468 00:42:08,531 --> 00:42:10,970 I very much doubt he was close to anyone. 469 00:42:10,971 --> 00:42:12,410 But the two of you worked together. 470 00:42:12,411 --> 00:42:15,090 Surely you must have appreciated each other's company. 471 00:42:15,091 --> 00:42:17,012 Well, don't misunderstand me. 472 00:42:17,052 --> 00:42:18,932 He was a terrific composer. 473 00:42:18,972 --> 00:42:21,251 One couldn't help but be impressed by him. 474 00:42:21,252 --> 00:42:25,491 He was devoted to his work and would have sacrificed 475 00:42:25,492 --> 00:42:31,692 everything for his music, apart from, perhaps, his little Rose. 476 00:42:35,533 --> 00:42:38,452 Don't be so surprised , Monsieur Vernais. 477 00:42:38,453 --> 00:42:40,811 You can't possibly think that l would allow you into my home 478 00:42:40,812 --> 00:42:43,772 without knowing everything about you? 479 00:42:43,773 --> 00:42:45,052 It's not that l... 480 00:42:45,053 --> 00:42:47,773 well, she's not exactly aware of my being here. 481 00:42:47,774 --> 00:42:49,572 And truth be told, she doesn't speak 482 00:42:49,573 --> 00:42:51,252 very highly of her father. 483 00:42:51,253 --> 00:42:52,772 It's funny. 484 00:42:52,773 --> 00:42:56,413 He loved those flowers so much, he named 485 00:42:56,414 --> 00:42:59,973 his own daughter after them. 486 00:42:59,974 --> 00:43:03,093 Believe me, if the rest of the score 487 00:43:03,094 --> 00:43:04,813 is as good as the opening passage, 488 00:43:04,814 --> 00:43:08,054 and given Marlowe's talent, you may very well be holding 489 00:43:08,055 --> 00:43:10,254 an absolute masterpiece. 490 00:43:10,255 --> 00:43:12,454 This is going to seem rather forward, 491 00:43:12,455 --> 00:43:16,333 but would you mind if l borrowed your book on the Famulus Order? 492 00:43:16,334 --> 00:43:19,095 Well, l can't see why not. 493 00:43:19,135 --> 00:43:20,695 Thank you very much for your time, Sir Victor. 494 00:43:20,735 --> 00:43:23,494 I'll bring the book back as soon as possible. 495 00:43:23,495 --> 00:43:26,296 I have no doubt of it. 496 00:48:29,392 --> 00:48:30,153 Therese? 497 00:48:41,073 --> 00:48:42,992 Putain de fenetre de merde. 498 00:48:42,993 --> 00:48:43,953 Charles? 499 00:48:43,954 --> 00:48:45,992 No, it's Santa Claus. 500 00:48:45,993 --> 00:48:47,112 Oh, my god. 501 00:48:47,113 --> 00:48:48,712 What the hell are you doing here? 502 00:48:48,713 --> 00:48:50,593 Yeah, great to see you too. 503 00:48:50,594 --> 00:48:52,353 You scared the hell out of me. 504 00:48:52,354 --> 00:48:54,312 Why are you coming in through the window? 505 00:48:54,313 --> 00:48:55,672 You weren't answering your phone. 506 00:48:55,673 --> 00:48:58,432 You've locked the front door shut, so l improvised. 507 00:48:58,433 --> 00:49:00,072 Why are you here? 508 00:49:00,073 --> 00:49:02,953 I thought a little company wouldn't harm you. 509 00:49:02,954 --> 00:49:06,234 Plus, l brought a couple of things you and l can work on. 510 00:49:07,995 --> 00:49:11,114 By researching information about this French sect, 511 00:49:11,115 --> 00:49:14,633 l discovered the leader used to live here in this very house. 512 00:49:14,634 --> 00:49:20,594 Your father was fascinated about their beliefs. 513 00:49:20,595 --> 00:49:22,314 I discovered that the symbols of the sonata 514 00:49:22,315 --> 00:49:26,236 correspond to what they call the four faces of evil. 515 00:49:29,676 --> 00:49:32,235 The first symbol represents power. 516 00:49:32,236 --> 00:49:34,794 The second, immortality. 517 00:49:34,795 --> 00:49:37,555 The third, appearance. 518 00:49:37,556 --> 00:49:40,395 And the fourth, duality. 519 00:49:40,396 --> 00:49:45,115 U nited, they form the symbol of evil, which is also the symbol 520 00:49:45,116 --> 00:49:47,715 of the Famulus Order. 521 00:49:47,716 --> 00:49:51,516 Your father left clues for you here in this very house. 522 00:50:12,077 --> 00:50:13,037 Brilliant. 523 00:50:16,278 --> 00:50:19,198 This one represents power. 524 00:50:19,199 --> 00:50:20,758 And l found another one just like it. 525 00:50:29,358 --> 00:50:30,679 I mmortality. 526 00:50:35,119 --> 00:50:36,479 It doesn't work anymore? 527 00:50:36,480 --> 00:50:38,318 I turned it off because of the noise. 528 00:50:38,319 --> 00:50:39,519 And it was an hour late, anyway. 529 00:50:44,199 --> 00:50:46,159 There's got to be a logic behind all this. 530 00:50:46,160 --> 00:50:48,158 If these symbols are placed where they are, 531 00:50:48,159 --> 00:50:50,640 it must be for a good reason. 532 00:50:53,440 --> 00:50:56,279 Well, the symbol in the chimney only appears 533 00:50:56,280 --> 00:50:57,240 when the flames rise up. 534 00:51:02,600 --> 00:51:04,000 Could it be that if... 535 00:51:04,001 --> 00:51:05,040 lt's worth a try, isn't it? 536 00:51:21,361 --> 00:51:22,321 Lemon juice. 537 00:51:22,322 --> 00:51:25,161 Kid stuff. 538 00:51:25,162 --> 00:51:28,041 Which means that the objects the symbols appear on 539 00:51:28,042 --> 00:51:30,322 affect the way the music is deciphered. 540 00:51:30,362 --> 00:51:33,601 The symbol on the clock represents immortality. 541 00:51:33,602 --> 00:51:35,761 It must have a kind of link with time. 542 00:51:35,762 --> 00:51:37,923 When l found it, it was an hour behind on French time. 543 00:51:40,723 --> 00:51:45,722 And when l played this, it didn't sound right. 544 00:51:45,723 --> 00:51:49,362 Maybe if we shift the notes forward, 545 00:51:49,363 --> 00:51:53,043 making them a time late, it'll give something more coherent. 546 00:51:53,083 --> 00:51:55,243 Yes, that would seem logical. 547 00:51:58,604 --> 00:51:59,883 Are you OK? 548 00:51:59,884 --> 00:52:00,963 Yeah, yeah, yeah. 549 00:52:00,964 --> 00:52:01,764 It's just a headache. 550 00:52:01,765 --> 00:52:03,443 I'm fine. 551 00:52:03,444 --> 00:52:04,404 Are you sure? 552 00:52:04,404 --> 00:52:05,244 I said, l'm fine! 553 00:52:08,284 --> 00:52:10,323 We must look for all the clues left by your father. 554 00:52:10,324 --> 00:52:13,084 One must be appearance, the other, duality. 555 00:52:16,244 --> 00:52:18,084 Any ideas? 556 00:52:18,085 --> 00:52:19,604 Have you seen the size of this place? 557 00:52:19,605 --> 00:52:20,725 It could be anywhere. 558 00:52:20,765 --> 00:52:22,004 Then there's no time to lose. 559 00:52:22,005 --> 00:52:24,004 It's like looking for a needle in a haystack. 560 00:52:24,005 --> 00:52:26,564 I mean, even if l knew... 561 00:52:26,565 --> 00:52:27,684 Therese. 562 00:52:27,685 --> 00:52:29,004 Therese? 563 00:52:29,005 --> 00:52:30,325 Who's Therese? 564 00:52:30,326 --> 00:52:31,724 My father had a cleaning lady. 565 00:52:31,725 --> 00:52:33,165 She knows this place perfectly. 566 00:52:33,166 --> 00:52:34,445 Maybe she knows something. 567 00:52:34,446 --> 00:52:36,205 I n that case, we have to go see her and ask 568 00:52:36,206 --> 00:52:38,006 her the right questions. 569 00:52:38,046 --> 00:52:39,205 You should go. 570 00:52:39,206 --> 00:52:40,446 You speak better French than me. 571 00:52:42,046 --> 00:52:43,686 Yeah. 572 00:53:31,009 --> 00:53:33,009 Therese. 573 00:59:36,669 --> 00:59:37,870 Recording number two. 574 01:00:00,871 --> 01:00:02,110 Shush. 575 01:00:02,111 --> 01:00:05,431 You must join the others now. 576 01:00:06,710 --> 01:00:07,471 Help! 577 01:01:24,395 --> 01:01:25,556 Rose? 578 01:01:25,595 --> 01:01:26,594 We have to call the police. 579 01:01:26,595 --> 01:01:27,555 Rose, what's going on? 580 01:01:27,555 --> 01:01:28,436 Rose, what's... what's wrong? 581 01:01:28,437 --> 01:01:29,714 What's wrong? 582 01:01:29,715 --> 01:01:31,195 I nside the chapel in the woods, 583 01:01:31,196 --> 01:01:32,595 children have been killed. 584 01:01:32,636 --> 01:01:33,555 We have to call the police. 585 01:01:33,596 --> 01:01:35,315 Wait, wait, wait, wait. 586 01:01:35,316 --> 01:01:37,035 What are you talking about? 587 01:01:37,036 --> 01:01:38,755 U nder the chapel, there... there's a room 588 01:01:38,756 --> 01:01:41,355 which has torture devices. 589 01:01:41,356 --> 01:01:42,515 What are you talking about? 590 01:01:42,516 --> 01:01:44,435 He recorded them screaming. 591 01:01:44,436 --> 01:01:45,276 Rose? 592 01:01:45,276 --> 01:01:45,837 Rose, for god's sake... 593 01:01:45,837 --> 01:01:46,716 Let go of me! 594 01:01:46,716 --> 01:01:47,596 We have to call the police! 595 01:01:47,597 --> 01:01:49,076 Hey, tell me what the hell is happening. 596 01:01:49,596 --> 01:01:50,995 Listen to me, listen. 597 01:01:50,996 --> 01:01:52,276 I don't know what you think you've seen, 598 01:01:52,277 --> 01:01:54,796 but right now l want you to calm down, OK? 599 01:01:54,797 --> 01:01:55,397 Deep breath. 600 01:01:55,398 --> 01:01:56,876 Just take a moment. 601 01:01:56,877 --> 01:01:58,036 Listen to me, l'm here now. 602 01:01:58,037 --> 01:01:59,476 I'm protecting you. 603 01:01:59,477 --> 01:02:00,917 I want you to wait until your breathing's under control, 604 01:02:00,958 --> 01:02:02,037 and then you take it from the top. 605 01:02:02,038 --> 01:02:03,557 Good? 606 01:02:03,558 --> 01:02:05,556 Now, these children, are there bodies, bones, what? 607 01:02:05,557 --> 01:02:10,037 No, l saw some shadows in the woods. 608 01:02:10,078 --> 01:02:12,077 No, but l heard them on the tapes. 609 01:02:12,078 --> 01:02:14,077 What tape? 610 01:02:14,078 --> 01:02:16,237 He was torturing them , and he recorded it. 611 01:02:16,238 --> 01:02:17,797 Ro, do you think your father would 612 01:02:17,798 --> 01:02:20,118 have been capable of doing something like that? 613 01:02:20,159 --> 01:02:22,277 I don't know. 614 01:02:22,278 --> 01:02:24,118 I don't know. 615 01:02:24,119 --> 01:02:26,917 But there was this... 616 01:02:26,918 --> 01:02:29,759 this wall painting with some kind of demon on it. 617 01:02:32,319 --> 01:02:33,159 I'm not crazy! 618 01:02:33,159 --> 01:02:33,759 Go and see for yourself! 619 01:02:33,759 --> 01:02:34,479 OK, Rose, OK. 620 01:02:34,479 --> 01:02:35,199 I believe you. 621 01:02:35,200 --> 01:02:36,518 I believe you. 622 01:02:36,519 --> 01:02:37,638 I'm sure whatever you've seen down 623 01:02:37,639 --> 01:02:39,079 there has given you quite a fright, 624 01:02:39,080 --> 01:02:40,559 but let's not jump to any conclusions yet. 625 01:02:40,560 --> 01:02:41,878 Don't patronize me, Charles. 626 01:02:41,879 --> 01:02:42,839 I'm not! 627 01:02:42,880 --> 01:02:45,079 I'm... l'm trying to help you. 628 01:02:45,080 --> 01:02:47,120 I've always been there for you, and l'm here right now. 629 01:03:37,643 --> 01:03:39,682 Look, l came over to see you because l've 630 01:03:39,683 --> 01:03:42,442 discovered a great deal of things about your father. 631 01:03:42,443 --> 01:03:44,522 I've been led to believe that he had a... 632 01:03:44,523 --> 01:03:47,482 drink up... he had a strange taste 633 01:03:47,483 --> 01:03:49,563 for morbid folklore, which doesn't mean he 634 01:03:49,604 --> 01:03:51,122 actually did anything morbid. 635 01:03:51,123 --> 01:03:53,803 It could simply be an artistic approach... a way 636 01:03:53,804 --> 01:03:55,843 to immerse himself in a fantasy world 637 01:03:55,844 --> 01:03:59,123 to capture what he needed to achieve with his music. 638 01:03:59,124 --> 01:04:02,643 And believe me, he wouldn't be the first to do so. 639 01:04:02,644 --> 01:04:03,963 Take Schumann, for instance. 640 01:04:03,964 --> 01:04:06,723 Schumann found inspiration in voices from above, 641 01:04:06,724 --> 01:04:08,365 and Tartini, from the devil. 642 01:04:09,564 --> 01:04:11,163 It doesn't mean they were psychopaths. 643 01:04:11,164 --> 01:04:13,164 Well, you weren't there. 644 01:04:13,165 --> 01:04:14,164 You didn't see what l did. 645 01:04:16,565 --> 01:04:17,844 I don't want to stay here anymore. 646 01:04:17,845 --> 01:04:19,044 I want to go back to London. 647 01:04:19,045 --> 01:04:20,404 So that's it? 648 01:04:20,405 --> 01:04:22,165 You want us to leave now, let the whole thing 649 01:04:22,205 --> 01:04:24,804 go when we're so close? 650 01:04:24,805 --> 01:04:27,364 Do you realize what this music could represent for us? 651 01:04:27,365 --> 01:04:28,764 What do you mean "us"? 652 01:04:28,765 --> 01:04:30,805 Why do you think he sent you the key to this place? 653 01:04:32,445 --> 01:04:34,204 If we're able to decipher this sonata, 654 01:04:34,205 --> 01:04:35,564 we'll own the rights to it. 655 01:04:35,565 --> 01:04:37,245 Think about it. 656 01:04:37,246 --> 01:04:41,366 Young virtuoso violinist plays her long-lost father's work. 657 01:04:41,406 --> 01:04:43,125 Look, l'm not saying we shouldn't call the police. 658 01:04:43,126 --> 01:04:45,205 I'm just asking you to give me at least five minutes to tell 659 01:04:45,206 --> 01:04:48,686 you what l've discovered. 660 01:04:48,687 --> 01:04:53,486 Thanks to Therese, l found the symbol for appearance. 661 01:04:53,487 --> 01:04:57,206 The way l see it, this means the score has to be played 662 01:04:57,207 --> 01:05:00,446 in reverse, like in a mirror. 663 01:05:00,447 --> 01:05:03,927 I don't think this is a good idea. 664 01:05:03,928 --> 01:05:05,288 I think we have to destroy the score. 665 01:05:07,807 --> 01:05:13,447 Could we... could we, before taking any rash decisions, 666 01:05:13,448 --> 01:05:16,568 think this through calmly, please? 667 01:05:16,569 --> 01:05:18,527 We only have two more symbols to find. 668 01:05:18,528 --> 01:05:20,687 Two. 669 01:05:20,688 --> 01:05:24,329 One, actually. 670 01:05:27,129 --> 01:05:27,848 Charity. 671 01:05:27,848 --> 01:05:28,648 Of course. 672 01:05:31,129 --> 01:05:33,008 Let's get back inside. 673 01:05:33,009 --> 01:05:33,889 Yeah, let's go. 674 01:05:46,250 --> 01:05:55,730 Now, if... if we juxtapose them like the statues, we should... 675 01:05:56,250 --> 01:05:56,970 et voila. 676 01:05:56,971 --> 01:05:58,050 I knew it. 677 01:06:00,770 --> 01:06:02,170 Last, but not least, we have to find the symbol 678 01:06:02,171 --> 01:06:02,970 that unites them all. 679 01:06:06,650 --> 01:06:09,571 It's the symbol of the Famulus Order in the keynote score. 680 01:06:09,611 --> 01:06:11,490 Charles, we... 681 01:06:11,491 --> 01:06:12,730 You look terrible. 682 01:06:12,731 --> 01:06:14,090 You should rest. 683 01:06:14,091 --> 01:06:17,091 We have to destroy the score. 684 01:06:17,131 --> 01:06:19,171 Do me a favor, Rose. 685 01:06:19,212 --> 01:06:21,292 Go get some sleep. 686 01:06:30,372 --> 01:06:31,292 Who's there? 687 01:06:39,052 --> 01:06:39,852 Charles? 688 01:07:36,256 --> 01:07:38,095 Recording number two. 689 01:07:38,096 --> 01:07:42,735 For the beast will only speak through the mouths of the pure, 690 01:07:42,736 --> 01:07:44,775 the uncorrupted... 691 01:07:44,776 --> 01:07:46,617 those who have only known God's... 692 01:07:51,856 --> 01:07:54,697 For the beast will only speak through the mouths of the pure, 693 01:07:54,736 --> 01:07:56,696 the uncorrupted... 694 01:07:56,697 --> 01:07:59,297 those who have only known God's love. 695 01:08:35,379 --> 01:08:36,980 What were you thinking, old man? 696 01:08:52,620 --> 01:08:55,379 He loved those flowers so much... 697 01:08:55,380 --> 01:08:59,181 He named his own daughter after them. 698 01:10:09,344 --> 01:10:10,105 Charles? 699 01:10:14,384 --> 01:10:15,185 What are you doing? 700 01:10:16,184 --> 01:10:18,223 It's absolutely phenomenal. 701 01:10:18,224 --> 01:10:20,065 Once the symbol's deciphered, it's pure genius. 702 01:10:23,025 --> 01:10:25,185 Your father was a genius. 703 01:10:25,186 --> 01:10:26,705 This score is going to change the way 704 01:10:26,706 --> 01:10:28,346 we consume music forever. 705 01:10:34,666 --> 01:10:35,745 What's going on? 706 01:10:35,746 --> 01:10:37,505 I've realized something. 707 01:10:37,506 --> 01:10:40,345 All these years living here away from the world... 708 01:10:40,346 --> 01:10:41,306 it's all for you. 709 01:10:41,307 --> 01:10:42,985 He wrote the sonata for you. 710 01:10:42,986 --> 01:10:43,906 What do you mean? 711 01:10:43,907 --> 01:10:45,105 All of this was planned. 712 01:10:45,106 --> 01:10:46,706 He had everything worked out, probably 713 01:10:46,707 --> 01:10:48,545 before you were even born. 714 01:10:48,546 --> 01:10:50,386 The last symbol points to you, Rose. 715 01:10:50,387 --> 01:10:51,425 The final staves are empty. 716 01:10:51,426 --> 01:10:52,505 You have to fill them. 717 01:10:52,506 --> 01:10:54,025 It's up to you to finish his work. 718 01:10:54,026 --> 01:10:56,386 Why do you think he wrote the sonata for violin? 719 01:10:56,387 --> 01:10:58,826 Whether you want it or not, you're part of his work. 720 01:10:58,827 --> 01:11:00,746 It's our duty to make this music reach 721 01:11:00,747 --> 01:11:02,106 people's ears all over the world, 722 01:11:02,107 --> 01:11:03,067 and you have to be the one to play it. 723 01:11:03,068 --> 01:11:04,707 But that's... 724 01:11:04,708 --> 01:11:06,347 Rose, whether you like it or not, it's your legacy. 725 01:11:06,348 --> 01:11:08,026 You can't deny it. 726 01:11:08,027 --> 01:11:09,187 That music is wrong. 727 01:11:09,188 --> 01:11:10,346 Ho. 728 01:11:10,347 --> 01:11:11,907 It's so much more than simply music. 729 01:11:11,908 --> 01:11:13,867 It's evil, Charles. 730 01:11:13,868 --> 01:11:14,788 Don't you hear it? 731 01:11:14,788 --> 01:11:15,748 The children were screaming! 732 01:11:15,749 --> 01:11:17,869 They were being tortured for that music! 733 01:11:18,788 --> 01:11:20,147 I know. 734 01:11:20,148 --> 01:11:22,467 Their sacrifice was a necessary evil. 735 01:11:22,468 --> 01:11:24,309 The voices coming out of those children's mouth, 736 01:11:24,348 --> 01:11:25,668 it's magnificent. 737 01:11:25,669 --> 01:11:28,108 They're pure, like you. 738 01:11:28,109 --> 01:11:29,267 Listen to you. 739 01:11:29,268 --> 01:11:30,948 I don't even recognize you. 740 01:11:30,949 --> 01:11:32,788 The music is making you go crazy. 741 01:11:32,789 --> 01:11:34,869 Can't you see? 742 01:11:34,909 --> 01:11:36,988 This is the very reason he cast you aside all these years. 743 01:11:36,989 --> 01:11:40,788 This sonata can only be played by pure, uncorrupted souls. 744 01:11:40,789 --> 01:11:41,989 The book says so. 745 01:11:41,990 --> 01:11:43,708 That is you, Rose. 746 01:11:43,709 --> 01:11:45,629 He left you because he knew... he knew he would have tainted you. 747 01:11:45,630 --> 01:11:48,709 He saved you... saved you for this. 748 01:11:48,710 --> 01:11:50,189 Well, l don't want any part it. 749 01:11:50,190 --> 01:11:53,549 You don't have a choice. 750 01:11:53,550 --> 01:11:58,109 The only thing that matters now is the music. 751 01:11:58,110 --> 01:11:59,830 What are you doing? 752 01:11:59,831 --> 01:12:01,071 What l should have done before. 753 01:12:01,110 --> 01:12:03,511 I'm burning these pages and going to the police. 754 01:12:05,711 --> 01:12:07,310 I've always protected you, nurtured you, and for what? 755 01:12:07,311 --> 01:12:08,790 So you could leave? 756 01:12:08,791 --> 01:12:10,630 So you could get out into the world and leave me behind, 757 01:12:10,631 --> 01:12:12,270 forget l ever existed? 758 01:12:12,271 --> 01:12:13,551 I've given you so much, and all you've done 759 01:12:13,552 --> 01:12:15,510 is throw it at my face. 760 01:12:15,511 --> 01:12:17,431 You don't even realize how lucky you are. 761 01:12:17,471 --> 01:12:19,391 If l had but only the slightest hint of your talent, 762 01:12:19,392 --> 01:12:21,712 l wouldn't have had this shitty life. 763 01:12:21,752 --> 01:12:23,231 This sonata is the key to my success. 764 01:12:23,232 --> 01:12:25,751 And for once in your miserable life, you will listen to me 765 01:12:25,752 --> 01:12:26,991 and do as l fucking say. 766 01:12:26,992 --> 01:12:29,552 Got it? 767 01:12:50,994 --> 01:12:52,913 Play it. 768 01:12:52,914 --> 01:12:53,754 Charles... 769 01:12:53,793 --> 01:12:54,554 l need to hear it. 770 01:12:59,113 --> 01:13:01,032 It keeps coming back in my head. 771 01:13:01,033 --> 01:13:02,993 It's unbearable. 772 01:13:02,994 --> 01:13:03,874 Charles, please... 773 01:13:03,875 --> 01:13:05,513 Play! 774 01:13:05,514 --> 01:13:07,273 I've deciphered all the symbols. 775 01:13:07,274 --> 01:13:12,593 All you have to do is play the music and let yourself go. 776 01:13:12,594 --> 01:13:13,075 But... 777 01:13:13,075 --> 01:13:13,834 Play it! 778 01:14:45,280 --> 01:14:45,800 Who told you to stop? 779 01:14:45,800 --> 01:14:46,560 Keep playing!